Remixed: Hip-Hop Artist Kalkidan Mashasha

Written by admin on May 7th, 2012

UntitledIn a couple of short verses, the Ethiopian Israeli hip-hop artist Kalkidan Mashasha mentions Bob Marley, Maimonides, and René Descartes in quick succession. Like the painter Kehinde Wiley—whose portrait of the performer is currently on view at The Jewish Museum—Kalkidan’s artistic process embraces hybrid cultures and a remix of past and present. His music confronts his country’s political struggles and his raps are sometimes deemed too controversial for mainstream Israeli radio, yet they also express the vibrant diversity of modern-day Israel.

The day before his New York debut, in a concert at The Jewish Museum, Kalkidan enters the museum carrying two books: a compilation of the writings of the eighteenth-century Hasidic philosopher Nachman of Breslov and a notebook brimming with scrawled fragments of Hebrew text. Kalkidan often interweaves biblical allusions and snippets of liturgy with his personal experiences to create his syncopated, multilayered poetry.

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Photo Hunt: Hester Street

Written by admin on March 22nd, 2012

Sol Libsohn, <i>Hester Street</i>, 1945.Hester Street, with its open-air pushcart market, was once the bustlingcenter of immigrant Jewish life on the Lower East Side. By the 1940s, many vendors had moved their wares indoors. In 1945 Sol Libsohn, one of the founders of the Photo League, photographed the storefront of 88 Hester Street. This tenement building, located on a narrow block between Eldridge and Allen, was then home to a grocer on street level and S.H. Laufer’s optometry shop one floor above. In the upper right portion of Libsohn’s picture, you can see part of the shop’s sign in the window, with its distinctive illustration of bespectacled eyes and a mix of English and Hebrew lettering.

This background detail, however, is easily overlooked, as the emphasis in this photograph is on the people: the frieze of figures waiting at the top of the stairs; the old woman standing on the stoop, caught in a moment of reverie; the man who eyes the camera suspiciously at right; and the young boy who catches sight of us just as he exits the frame. In this richly compelling photograph, Libsohn captured the spirit of this crowded city street and the growing diversity of the neighborhood. Click to continue »

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Photo Hunt: The Wishing Tree

Written by admin on March 14th, 2012

Aaron Siskind, "The Wishing Tree", 1937From 1936 to 1940, Aaron Siskind led a group project at the Photo League focusing on one of New York City’s most vibrant communities—Harlem. Perhaps his most beloved image from this Harlem Document series is his photograph of a group of young, black boys gathered around a tree stump. They look rather dapper in their dress coats, sporting a variety of hats—fedoras, a newsboy cap and an aviator hat (at far left). More curious than their clothing to today’s viewer is the stump itself. What is it doing in the middle of a busy city street? And what significance could it possibly have to these boys? Click to continue »

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For Tu B’Shevat: Seeing Jewish farming

Written by admin on February 1st, 2012

The first almond tree blossoms in Israel are a sign that Jewish Earth Day is just around the corner. Environmental awareness and responsibility is the major theme in celebrating Tu B’Shevat, the holiday also known as the New Year for the trees, on February 8. Originally observed as a harvest festival, in ancient Israel Jews would donate a tithing, a tenth of their harvest, to the Temple. Over the centuries the holiday has been invigorated with new traditions like eating fruits and nuts in a symbolic meal (seder). Reuven Rubin, <i>Pomegranates</i>Eating the seven edible plant species of Israel mentioned in the Torah (wheat, barley, grapes, figs, pomegranates, olives and dates) can remind us to protect and care for the earth. Israeli artist Reuven Rubin’s 1942 painting of a sliced pomegranate makes this ancient symbol of fertility and observance look fresh. Planting trees in modern Israel is a Tu B’Shevat trend that has contributed to the cultivation of orchards like the one Annie Leibovitz photographed at Kibbutz Amir in 1969.
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Closing Night: The 2012 NYJFF

Written by admin on February 1st, 2012

The 21st annual New York Jewish Film Festival ended with a bang on Thursday, January 26 with two screenings of the film Welcome to Kutsher’s: The Last Catskills Resort by directors Ian Rosenberg and Caroline Laskow. The afternoon screening drew many members of the Kutsher family and people affiliated with this famous Borsch Belt resort. Towards the end of the post-screening Q&A, actor Jerry Stiller rose to his feet and shared warm memories of performing in the Catskills.Photo by Maria Esteves

Closing day also included two screenings of Daas, an intellectual costume drama from Poland. Filmmaker Adrian Panek spoke to the audience and answered questions about his film and its subject, the 18th-century false messiah Jacob Frank and Frank’s controversial mystical teachings.

The 21st edition of the NYJFF marked an all-time record in attendance, with many screenings sold out in advance.
Photo by Maria Esteves.

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Photo Hunt: Sidewalk Clock

Written by admin on January 27th, 2012

Illustration of Barthman’s sidewalk clock featured in Technical World Magazine (September 1905).
If you’ve ever been to the corner of Broadway and Maiden Lane in lower Manhattan, you may have noticed something rather curious: a working clock embedded in the sidewalk. Barthman Jewelers planted it in the pavement in front of their store in 1899. It was a clever publicity stunt for the shop, which specializes in fine watches, undoubtedly luring in many customers over the years.

At first, the timepiece looked like a radio flip clock, with a rectangular face and numbers that changed on the minute and the hour. Sometime later, perhaps in the 1920s, the clock was given a new face. This one was round with bold Arabic numerals and long hands. Thousands of busy New Yorkers, rushing to and from work in the financial district, stepped on the clock each day. The glass cover was continually scratched and in constant need of replacement. Changing covers trapped moisture and gave the modern device a foggy, ancient look. Click to continue »

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Opening Night of The 2012 New York Jewish Film Festival

Written by admin on January 13th, 2012

The 21st annual New York Jewish Film Festival kicked off Tuesday night, Jan 10, with a special private opening event and screening of the film Mabul (The Flood) at the Film Society of Lincoln Center’s Walter Reade Theater.

Film Society of Lincoln Center Executive Director Rose Kuo and Jewish Museum Director Claudia GouldJewish Museum Director Claudia Gould and Film Society of Lincoln Center Executive Director Rose Kuo officially opened the festival, emphasizing the long-lasting partnership of the two organizations.

Special guests from the film were screenwriter Noa Berman-Herzberg and actor Michael Moshonov. Berman-Herzberg spoke eloquently about the making of Mabul, which originally began as an idea for a short student film 10 years ago.

Actor Michael Moshonov and screenwriter Noa Berman-Herzberg andMoshonov spoke of the process of learning to play the role of an autistic boy for his role in the film. Guests in attendance praised Moshonov for brilliantly capturing the role as well as the overall emotional impact of the film. Moshonov told the audience about his next project, a film in which he stars that tells of a Jewish Chabad house in Nepal. Berman-Herzberg is also working on several interesting scripts in collaboration with Guy Nattiv, who directed Mabul.

Opening Night marked the start of what is bound to be a remarkable edition of the festival. The New York Jewish Film Festival is presented by The Jewish Museum and the Film Society of Lincoln Center.

 

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Saying Goodbye in 2011

Written by admin on January 9th, 2012

All of us at The Jewish Museum are sad to have said goodbye to many prominent artists with works in the museum’s collection who died last year. Among them are a painter, a printmaker, two photographers and a paper cutter who broke from tradition. All led remarkable lives and added unquestionably to the culture at large as well as to the richness of the museum’s collection.

LUCIAN FREUD

Lucian Freud, <i>Lord Goodman in his Yellow Pyjamas</i>

Lucian Freud (born 1922), the grandson of Sigmund Freud, was a world renowned artist often cited as the greatest realist painter of the 20th century. He is widely recognized for his thickly rendered oil paintings, soft and sensual drawings, and intricately worked etchings. Preferring to portray friends and intimates, Freud would schedule regular visits with sitters lasting from a few months to a few years. The resulting portraits reveal Freud’s exploration of medium and composition as scrutinizing and psychologically penetrating, yet spatially unsettling. The Jewish Museum’s Lord Goodman in his Yellow Pyjamas (1987) highlights this tension. The artist has situated his densely worked subject, Baron Arnold Abraham Goodman (1913-1995)—a successful solicitor, patron of the arts, and President of the Institute of Jewish Affairs in London—within an unarticulated background. Although the details of his unshaven jowls and tired eyes are etched with deliberate force, Lord Goodman’s body appears isolated and detached in an ambiguous and undefined space.

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Photo Hunt: Mulberry Street

Written by admin on December 5th, 2011

Sid Grossman, <i>Mulberry Street</i>, 1948, Gelatin silver print. The Jewish Museum, New York, Purchase: Lillian Gordon Bequest © Howard Greenberg Gallery, NYC. Photo by Ardon Bar-HamaThe Feast of San Gennaro is an annual celebration of the patron saint of Naples. Celebrated for centuries in Italy, the festival first took place in New York City in 1926, shortly after Neapolitan immigrants settled on Mulberry Street in what soon became the heart of Little Italy. Since then, the modest holiday has become an eleven-day gala that turns Mulberry Street into a spectacle of lights, music, food and pageantry.

Sid Grossman, the Photo League’s great teacher and mentor, was drawn to this famous street fair in 1948, when he photographed Little Italy in the throes of celebration.  Mulberry Street is one of many pictures he took of the fall festival.

Using a handheld, 35mm camera with a single flash, Grossman captured the nighttime festivities in this blurred, off-kilter view, conveying the carnival-like atmosphere and evoking the sensation of being swept up in a crowd.  His unconventional techniques resulted in intimate and poetic renderings of everyday life—a far cry from the straightforward, documentary approach he had championed at the League in the 30s.  Grossman’s radical approach to photography had an enormous impact on his students at the Photo League, as well as later generations of street photographers.

When Little Italy celebrated its 85th Feast of San Gennaro this past September, I headed down to Mulberry Street to complete our first Photo Hunt assignment.  The tiny street was jam-packed with people, food vendors, decorations and lights—not all too different from the festival Grossman photographed 63 years ago.

Stay tuned for our next installment, when the Photo Hunt takes us to the Sidewalk Clock, by Ida Wyman.

Rebecca Shaykin
Curatorial Assistant, The Jewish Museum, New York

Read the first Photo Hunt blog entry here >

The Radical Camera: New York’s Photo League, 1936-1951 is organized by The Jewish Museum, New York, and the Columbus Museum of Art, Ohio.

Image credits (top to bottom): Sid Grossman, Mulberry Street, 1948, Gelatin silver print. The Jewish Museum, New York, Purchase: Lillian Gordon Bequest, , 2000-78. © Howard Greenberg Gallery, NYC. Photo by Ardon Bar-Hama; Rebecca Shaykin, Mulberry Street, 2011. © Rebecca Shaykin.

 

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Photo Hunt: …The Hunt’s The Thing.

Written by admin on November 7th, 2011

Photo Hunt advertisement from Photo Notes, 1942“Come one, come all to this super-colossal jamboree – it’s going to be super-dooper!” an announcement for the Photo Hunt exclaimed in 1942.

The Photo League was famous for their Photo Hunts—popular competitions in which both budding photographers and professionals competed in photographic scavenger hunts for prizes. Once a year, contestants flocked to the League to receive their assignments which ranged from the obscure to the ridiculous: “Tired Feet,” “Chase a Blonde,” “The Law,” “Bring Me Wine.”  Participants had just a few hours to run around town with their cameras and rush back to the League with their film by deadline.

Morris Huberland, Elizabeth Timberman, and Ed Schwartz choose the best negative at a Photo Hunt competition, 1947. © George GilbertWhile darkroom volunteers processed the contestants’ negatives and printed the best pictures taken that day, Photo Hunters were treated to spaghetti suppers, drinks, music and dancing. “Swell entertainment” for the evening might include the calypso dancer Belle Rosette, a young comedian named Zero Mostel, or folk singer Pete Seeger.

Around midnight a “bang-up” slideshow of photo entries was put on. Winning prints were then selected by a panel of expert judges featuring celebrities such as Life reporter W. Eugene Smith and crime photographer Weegee. Modest prizes of photographic equipment, such as a case of flash bulbs, meant the world to photographers struggling to make ends meet during the Depression and World War II. Click to continue »

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