Photo Hunt

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Photo Hunt: Hester Street

Thursday, March 22nd, 2012

Sol Libsohn, <i>Hester Street</i>, 1945.Hester Street, with its open-air pushcart market, was once the bustlingcenter of immigrant Jewish life on the Lower East Side. By the 1940s, many vendors had moved their wares indoors. In 1945 Sol Libsohn, one of the founders of the Photo League, photographed the storefront of 88 Hester Street. This tenement building, located on a narrow block between Eldridge and Allen, was then home to a grocer on street level and S.H. Laufer’s optometry shop one floor above. In the upper right portion of Libsohn’s picture, you can see part of the shop’s sign in the window, with its distinctive illustration of bespectacled eyes and a mix of English and Hebrew lettering.

This background detail, however, is easily overlooked, as the emphasis in this photograph is on the people: the frieze of figures waiting at the top of the stairs; the old woman standing on the stoop, caught in a moment of reverie; the man who eyes the camera suspiciously at right; and the young boy who catches sight of us just as he exits the frame. In this richly compelling photograph, Libsohn captured the spirit of this crowded city street and the growing diversity of the neighborhood. Click to continue »

Photo Hunt: The Wishing Tree

Wednesday, March 14th, 2012

Aaron Siskind, "The Wishing Tree", 1937From 1936 to 1940, Aaron Siskind led a group project at the Photo League focusing on one of New York City’s most vibrant communities—Harlem. Perhaps his most beloved image from this Harlem Document series is his photograph of a group of young, black boys gathered around a tree stump. They look rather dapper in their dress coats, sporting a variety of hats—fedoras, a newsboy cap and an aviator hat (at far left). More curious than their clothing to today’s viewer is the stump itself. What is it doing in the middle of a busy city street? And what significance could it possibly have to these boys? Click to continue »

Photo Hunt: Sidewalk Clock

Friday, January 27th, 2012

Illustration of Barthman’s sidewalk clock featured in Technical World Magazine (September 1905).
If you’ve ever been to the corner of Broadway and Maiden Lane in lower Manhattan, you may have noticed something rather curious: a working clock embedded in the sidewalk. Barthman Jewelers planted it in the pavement in front of their store in 1899. It was a clever publicity stunt for the shop, which specializes in fine watches, undoubtedly luring in many customers over the years.

At first, the timepiece looked like a radio flip clock, with a rectangular face and numbers that changed on the minute and the hour. Sometime later, perhaps in the 1920s, the clock was given a new face. This one was round with bold Arabic numerals and long hands. Thousands of busy New Yorkers, rushing to and from work in the financial district, stepped on the clock each day. The glass cover was continually scratched and in constant need of replacement. Changing covers trapped moisture and gave the modern device a foggy, ancient look. Click to continue »

Photo Hunt: Mulberry Street

Monday, December 5th, 2011

Sid Grossman, <i>Mulberry Street</i>, 1948, Gelatin silver print. The Jewish Museum, New York, Purchase: Lillian Gordon Bequest © Howard Greenberg Gallery, NYC. Photo by Ardon Bar-HamaThe Feast of San Gennaro is an annual celebration of the patron saint of Naples. Celebrated for centuries in Italy, the festival first took place in New York City in 1926, shortly after Neapolitan immigrants settled on Mulberry Street in what soon became the heart of Little Italy. Since then, the modest holiday has become an eleven-day gala that turns Mulberry Street into a spectacle of lights, music, food and pageantry.

Sid Grossman, the Photo League’s great teacher and mentor, was drawn to this famous street fair in 1948, when he photographed Little Italy in the throes of celebration.  Mulberry Street is one of many pictures he took of the fall festival.

Using a handheld, 35mm camera with a single flash, Grossman captured the nighttime festivities in this blurred, off-kilter view, conveying the carnival-like atmosphere and evoking the sensation of being swept up in a crowd.  His unconventional techniques resulted in intimate and poetic renderings of everyday life—a far cry from the straightforward, documentary approach he had championed at the League in the 30s.  Grossman’s radical approach to photography had an enormous impact on his students at the Photo League, as well as later generations of street photographers.

When Little Italy celebrated its 85th Feast of San Gennaro this past September, I headed down to Mulberry Street to complete our first Photo Hunt assignment.  The tiny street was jam-packed with people, food vendors, decorations and lights—not all too different from the festival Grossman photographed 63 years ago.

Stay tuned for our next installment, when the Photo Hunt takes us to the Sidewalk Clock, by Ida Wyman.

Rebecca Shaykin
Curatorial Assistant, The Jewish Museum, New York

Read the first Photo Hunt blog entry here >

The Radical Camera: New York’s Photo League, 1936-1951 is organized by The Jewish Museum, New York, and the Columbus Museum of Art, Ohio.

Image credits (top to bottom): Sid Grossman, Mulberry Street, 1948, Gelatin silver print. The Jewish Museum, New York, Purchase: Lillian Gordon Bequest, , 2000-78. © Howard Greenberg Gallery, NYC. Photo by Ardon Bar-Hama; Rebecca Shaykin, Mulberry Street, 2011. © Rebecca Shaykin.

 

Photo Hunt: …The Hunt’s The Thing.

Monday, November 7th, 2011

Photo Hunt advertisement from Photo Notes, 1942“Come one, come all to this super-colossal jamboree – it’s going to be super-dooper!” an announcement for the Photo Hunt exclaimed in 1942.

The Photo League was famous for their Photo Hunts—popular competitions in which both budding photographers and professionals competed in photographic scavenger hunts for prizes. Once a year, contestants flocked to the League to receive their assignments which ranged from the obscure to the ridiculous: “Tired Feet,” “Chase a Blonde,” “The Law,” “Bring Me Wine.”  Participants had just a few hours to run around town with their cameras and rush back to the League with their film by deadline.

Morris Huberland, Elizabeth Timberman, and Ed Schwartz choose the best negative at a Photo Hunt competition, 1947. © George GilbertWhile darkroom volunteers processed the contestants’ negatives and printed the best pictures taken that day, Photo Hunters were treated to spaghetti suppers, drinks, music and dancing. “Swell entertainment” for the evening might include the calypso dancer Belle Rosette, a young comedian named Zero Mostel, or folk singer Pete Seeger.

Around midnight a “bang-up” slideshow of photo entries was put on. Winning prints were then selected by a panel of expert judges featuring celebrities such as Life reporter W. Eugene Smith and crime photographer Weegee. Modest prizes of photographic equipment, such as a case of flash bulbs, meant the world to photographers struggling to make ends meet during the Depression and World War II. Click to continue »